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History of Art: Modernism

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New York

History of Art: Modernism

This course covers a rich century of Western Modernist art by focusing on six key concepts. Participants in the course will become familiar with central ideas that have broad application throughout the history of Modern Art, while also learning from the foundational masterworks that spoke for modern times.

Beginning with the emergence of Impressionism in Paris in the 1860s, the course examines what Modernism first meant. Considering the period at the turn of the century, participants will discover Abstraction, and how it shaped movements like Fauvism, Cubism and Futurism. Next is an examination of the idea of the Avant-garde, and how the quest to escape the conventions of art inspired the Dada group, the Surrealists, and the Constructivists. In the wake of these radical changes, the course further explores the inter-war period and ask what Tradition meant to Modernists and offers a survey on the impact of Photography. And, finally, an exploration of the concept of Expressionism, and how it fed post-war painting after that.

Deadline to Register: May 14

Learning Outcomes

  • Understand key moments in the history of Modern Art.

  • Explain why Modern Art emerged and the different developments that led to artistic innovation.

  • Practice close looking and visual analysis, using key artworks from the modern period.

  • Name key figures in the history of Modern Art.

  • Articulate different key art movements and their characteristics.

Faculty

Morgan Falconer

Faculty, MA Contemporary Art, and MA Historic Art and Design, New York

Morgan Falconer is a critic and art historian. After completing a PhD on art and culture in New York in the 1920s and 1930s, he worked as an art journalist and critic, first in London and later in New York. He has written about contemporary art for publications including "The Times (London)," "Art Journal," "The Economist," "Frieze," "The Burlington Magazine," "The Village Voice," and "Art in America." He has written catalogue essays on artists including Georg Baselitz ("Gagosian," 2019), Ugo Rondinone ("Ringier," 2018) and Alex Katz ("Hannover Kestnergesellschaft," 2011). His research interests span Postminimalism, art criticism, and the avant-garde, and his books include "Painting Beyond Pollock" (Phaidon), a history of painting after 1945, and "How to Be Avant-Garde" (W.W. Norton), a biographical exploration of modern artists’ quest to end art.

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Sample Schedule

More Information

  • Sample Topics

    Sample Topics

    • Early Modernity: Impressionism and Post-Impressionism
    • Abstraction: Fauvism, Cubism, Expressionism
    • The Avant-Garde: Constructivism and Surrealism
    • Tradition in the Context of Modernism
    • Expressionism and the Post-War Era
  • Course Completion

    Course Completion

    Course participants take away in-depth and valuable insight into the current and future art world. Those who successfully complete their course will receive a certificate of completion from Sotheby’s Institute of Art.

    Sotheby’s Institute of Art course participants come from all over the world, from a wide variety of backgrounds. As they study, travel, and explore the art world alongside each other throughout the program, fierce and long-lasting collaborations are frequently born. Individuals who complete these courses join our network of over 8,000 past participants around the globe who hold top positions at renowned art organizations.

  • Requirements

    Requirements

    English Language Requirement
    Course participants should be proficient in written and spoken English and be able to participate in group discussions and presentations in English. It is recommended that participants have the equivalent level of IELTS score of 6.0 /TOEFL score of 78 IBT, however evidence of test scores is not required to register.

    Age Requirement
    Courses are open to participants 18 years of age or older, however, we prefer that students have a bachelor’s degree or equivalent experience to be able to properly engage in the course.

    For more information, please see our Terms and Conditions.