What motivated you to pursue an MA at Sotheby’s Institute, and how did your experience shape your perspective on the art world?

Sotheby’s Institute provided a unique blend of academic knowledge with an in-depth understanding of the commercial marketplace.

I was particularly drawn to the MA in Fine and Decorative Art and Design (now MA in Historic Art and Design) due to its broad scope and balance between classroom learning and visits to public institutions, auction houses, and galleries. For me, this combination provided the perfect foundation from which to embark on an adventure into the art world.

Can you share how the MA program shaped your understanding of the art market?

Starting with the Art Futures module, I was provided with a broad overview of the commercial aspects of the art industry.

My program then built on this through lectures, discussions, and external visits. Having the opportunity to interact with curators, dealers, and specialists, often alumni, was invaluable and enabled me to engage with the real world and build an accurate picture of the art market.

What were the most valuable skills you gained during the program, and how do you apply them in your career?

My MA gave me invaluable academic knowledge and commercial insight into the art industry. What I valued most, however, was the opportunity to meet professionals working within the field. These encounters helped me develop and refine my networking skills, an ability that has proved vital not only in finding initial employment but also in continuing to grow my career through professional introductions.

Can you describe your current role and how the knowledge or experiences from the MA program support your responsibilities?

I currently work as a sale coordinator for Lyon & Turnbull auctioneers, covering both fine art and Islamic and Indian art. This is a fantastic role as it allows me to learn about objects from Antiquity as well as modern and contemporary periods.

My MA perfectly equipped me with the knowledge to approach the Modern genre, but what surprised me most was how it also provided the skills to explore areas that were new to me. Working with Islamic and Indian art was initially daunting, however by applying the approaches and techniques I learned during the course, I have been able to begin unlocking this exciting field.

Using works of art as case studies is a hallmark of the program. How do you feel this method helps students develop critical thinking or connoisseurship skills?

Learning directly from the object is the best and most exciting way to study art and its history. It gives students the opportunity to present unique and original interpretations. This style of teaching develops a skill set that can be applied to any object, from any artistic genre, anywhere in the world.

Forming interpretations, developing theories, and presenting evidence was, for me, one of the most thrilling parts of the program.

What has been the lasting value of the program for you—whether in terms of professional opportunities, intellectual growth, or personal perspective?

My time at Sotheby’s Institute of Art was a golden year for me. What made it truly valuable was its ability to open the door to the commercial art world and give me the confidence and skills to navigate it.

Obtaining a job in this competitive industry was initially daunting; however, with the skills the Institute provided, it quickly became an exciting journey that allowed me to meet fantastic people and experience extraordinary works of art.

What advice or tips would you give to Sotheby’s Institute applicants?

Seize the moment and take advantage of every opportunity the Institute offers, as you never know where it may lead.