Faculty Profile

Lauren Bursey

Faculty, MA in Art Business, London

Lauren Bursey is a US qualified lawyer with expertise in US, UK, and international law, focusing on art, museum, and cultural heritage law, as well as international litigation, arbitration, and public international law.

She has previously worked as a lawyer at major international law firms in both the US and the UK, advising high net-worth individual collectors, museums, auction houses, and galleries.

Her work has involved advising on restitution issues for both Holocaust-looted art and colonial-looted heritage, litigation concerning stolen artworks, international transactions for the sale, purchase, and financial loan of blue-chip artwork, and assessing the legal and reputational risks of purchases of antiquities according to due diligence, provenance, and regulatory standards.

Lauren has also worked at the Art Law Centre, University of Geneva, on ArThemis, the open access cultural heritage restitution database, and at the Smithsonian Institution in Washington, D.C., in the Office of General Counsel.

Lauren has spoken at academic and professional conferences internationally, and previously lectured at the London School of Economics, the British Institute of International and Comparative Law, Columbia University, Christie’s Education, and the Royal Society of Sculptors.

She has contributed research and editing to numerous books on art and cultural heritage law, including the two-volume treatise Art Law: The Guide for Collectors, Investors, Dealers & Artists (5th ed, eds. R. Lerner, J. Bresler, & D. Wierbicki, 2020), and The Sale of Misattributed Art and Antiques at Auction, by Anne Laure Bandle (2d ed., 2024).

Lauren was a co-author of written evidence to the UK All-Party Parliamentary Group on Colonial Restitution concerning potential legal avenues for the restitution of colonial-looted objects in UK museums and collections.

Lauren completed her PhD at the London School of Economics, with a thesis entitled “Non-State Actors in the Illicit Trade in Cultural Heritage: From Armed Conflict to the Western Markets”.

She intends future publication of her PhD work. She also holds an LLM in transnational arbitration and dispute settlement from Sciences Po, Paris; a JD from DePaul University College of Law, Chicago (summa cum laude) with a certificate in Art, Museum, and Cultural Heritage Law; and an Honours Bachelor of Arts in History and Classical Civilizations from the University of Toronto, Trinity College (High Distinction).

She also holds a certificate in Provenance Research from the European Shoah Legacy Institute.

Details

Publications

Non-State Actors in the Illicit Trade of Cultural Heritage, Chapter in Non-State Actors in International Law, British Institute of International & Comparative Law (publication forthcoming)

Demokratia: Will the Greek ideal work in Greece’s favour to return the Parthenon Marbles under international law?, 15 Journal of International Humanitarian Legal Studies (2024).

Colonial-Looted Cultural Objects in England, 8 Santander Art & Culture Law Review 341 (2023).

Conferences

Beyond Silos: Reimagining Cultural Heritage Law for Non-State Actors and Unified Protection, European Society of International Law Annual Conference, Interest Group on the Law of Culture (Freie Universität Berlin, Sept. 2025).

The evolution of cultural restitution through transnational legal process theory and the New York District Attorney, Unpacking the Meaning(s) of ‘Restitution’ in International Law of Culture, European Society of International Law (Apr. 2024).

The Role of Non-State Actors in the Illicit Trade of Cultural Heritage, Non-State Actors in International Law, British Institute of International & Comparative Law (Nov. 2023).

The Adaptability of Cultural Heritage Import Systems in the US & the EU to 21st Century Threats, Combatting the Illicit Trade in Cultural Objects – Interdisciplinary Challenges and New Perspectives of EU Law and Policy (University of Opole, May 2022).